Author: Caroline Notté

Since its establishment in 1978, Ecart International has been orchestrating the revival of exquisite furniture, lighting, and heritage artifacts from the dawn of the 20th century. These production pay homage to the indelible legacies of design luminaries who have ascended to the echelons of timeless distinction: Eileen Gray, Jean-Michel Frank, Adolphe Chanaux, Pierre Chareau, Michel Dufet, Mariano Fortuny, and more.

The entirety of their seating, furniture, and lighting collections bears the distinguished mark of French craftsmanship, a testament to the pursuit of refinement and excellence. Furthermore, the resplendent rugs, meticulously crafted, unfold their beauty through the artistry of hand-knotting in the mountainous ateliers of Nepal.

At the age of 53, Andrée Putman embarked on the journey that catapulted her into fame, leaving an indelible mark from New York to Hong Kong. Through the creation of Ecart International, she breathed life into the overlooked talents of 1930s furniture, resurrecting the designs of René Herbst, Jean-Michel Frank, Pierre Chareau, Robert Mallet-Stevens, Antoni Gaudí, Eileen Gray, and more. Her passion fueled the restoration, reissue, and promotion of these masterpieces, cultivating a catalog of remarkable coherence.

Driven by a desire to captivate at least ten souls, Andrée Putman far exceeded her expectations, captivating thousands with these revived pieces. Transitioning seamlessly from object reissues to spatial design, she traversed this path with an affinity for the purity of structures. Rejecting ostentatious luxury, she declared, “Pompous luxury is a polluting thing that horrifies me. I am interested in the essential, in the framework, in the backbone of things.”

In 1984, she revolutionized the concept of boutique hotels by transforming the Morgans Hotel in New York. This pivotal project marked a turning point in her career, showcasing her ability to craft a luxurious haven with minimal resources. Andrée Putman affirmed her distinctive style by presenting rooms of understated elegance and optical allure. As she reflected, “It’s because I started working in New York that the French asked for me.

Crafted between sand and sea, a secluded escape unlike anywhere in the city.

As the popularity of tranquil beachfront locations grows in Dubai, the Six Senses Palm Jumeirah hotel and branded Dubai residences will offer a new dimension in the city. Our project consists of choosing the furniture, lamps, design, artworks and all the finishing touches. Our role is to enhance the project with signature pieces by recognized artists, and to make it more personal and less corporate.

Branded Residences Crafted to Extreme Perfection

Standing elegantly on the West Crescent of Palm Jumeirah, Six Senses Residences The Palm Dubai epitomises innovative architecture. It takes its cues from the city’s journey while paying homage to the contours and elevations of the region’s landscape, its unique heritage and origins, and its unquenchable thirst for progress.

Here are a few examples from the list … Don’t miss these …

Installée dans une des premières maisons modernistes édifiées à Bruxelles, Caroline Notté s’est
affirmée en une vingtaine d’années comme une des architectes d’intérieur les plus originales,
novatrices et éclectiques du moment. Jonglant avec les objets, les lumières et les couleurs, elle
aime embellir l’espace en mélangeant les genres tout en imposant sa propre griffe, singulière et
chaleureuse.

Lobby49

COLLECTIBLE is a one of a kind platform for the showcase and discovery of the best in collectible design today. Come and visit us on stand B8. The 6th edition of COLLECTIBLE, will take place from 9 to 12 March 2023 at Tour & Taxis, with a VIP and Press Preview on Wednesday, 8 March.

On this occasion we will present with axis 71 the new limited re-editions of the iconic lamps of Christophe Gevers, some of which have been chosen by Natan, Valérie Barkowski, Isabelle de Borchgrave and Le Cab.

On top of these limited Editions I also chose 3 finishes that have an intrinsic tint that in my opinion brings logic and meaning to these re-editions.
The first attitude was to think of a non-colour, a leaf that would have always existed, total respect to let the shape speak for itself.
The second was to choose a natural colour that would evolve over time, illustrating strength and resistance and a return to the roots. A corten (rusty bronze) finish as well as a greenish-grey copper that fits in perfectly with nature and with today’s interiors where the material is given pride of place, a timelessness assured.

THE CG01: AN ICONIQUE LAMP

“I believe I became a designer, because I was interested in the present, which is the future and the past out of date.” Christophe Gevers

Designed by Christophe Gevers (1928-2007), this lamp excites aesthetes passionate about beauty and ingenuity.
To call oneself 01, one must be worthy to identify with perfection!
Like a woman’s body, the curve is captivating, the lamp perfectly captures the sensual side, but at the same time the modernist austerity.
A subtle mixture, delicately proportioned, this luminaire is more of a sculpture than a simple lighting, making the CG01 a work of art full of anecdotes.
Christophe Gevers has left an indelible mark on Belgian design with his feeling for materials and his tactile modernism. He is considered one of the most important interior designers of the post-war period.
He favored a warm, comfortable modernism, using noble and durable materials.
He founded his own company Gevers Design and worked as a professor at La Cambre in the decoration and furnishing department.
His work characterizes Belgian design and his creations are now sought after, hats off to the artist, Gevers enjoys the success he deserves!
Placed in 1968 in the restaurant “Le Cap d’Argent” in Brussels, the CG01 designed in a deep and frank red illuminated this brasserie and made this place an emblematic image of Belgian design.
Needless to say that the internationally renowned establishment “Aux Vieux Saint Martin” also integrates the 01 into its restaurant, frequented by great personalities. The Canterbury still bears witness to its unique style, that is by no means outdated.

Today the CG01 is being re-released by the Belgian premium lighting manufacturer axis71, with renowned architects and prestigious institutions subtly and judiciously choosing the appropriate colour.
Undoubtedly, this mythical object will illuminate your interior.

Available at  Bea Items – Knokke, Caroline Notté – Brussels, CAB Foundation – Saint Paul de Vence (France) Contact axis71 for the point of sales near you.

www.axis71.com

Caroline Notte a été élue comme la meilleure architecte et architecte d’intérieur belge sur Bruxelles (Ucce) 

Reconnue pour aménager les espaces des expats en Belgique, elle a le don de donner de la vie et du charme dans des nouveaux espaces et connais toutes les adresses pour accompagner les clients de la communauté européenne afin de leur créer rapidement un nid douillet. 
Son bureau a reçu les Awards en 2019 /2022 comme la pépinière des talents les plus dynamiques . 

Ses projets d’aménagements intérieurs sont variés et mixtes : aménagements privés , restaurants , bureaux , hôtels , magasins .  Sa galerie propose un vaste choix d’artistes, de designer , d’artisans , de vintage . 

 

Welcome to the brafa from the 29 of January to the 5th of February I am very happy to present the T-table on the stand Delen .  A collaboration with Emaillerie Belge. A brand new irregular coffee table inspired by the strata of nature entirely made in the same workshop by recovering metal scraps

 

Cauvin craque sa matière première pour lui donner les formes les plus étonnantes et totalement imprévisibles comme si le feu, l’eau, les éléments naturels avaient dicté ses mouvements et éruptions.
Artiste engagée, Cauvin jongle entre artisanat et brutalisme, un art Brut sans aucune connotation décorative.Elle jaillit – ici littéralement hors du cadre et réinvente complètement l’art de la table dans un élan d’expressionisme non contrôlé.
Les récipients deviennent des ustensiles primitifs et craquelés, non façonnés et un gigantesque puzzle gravit la terre à l’infini et zigzague au rythme des impulsions de l’artiste. 

Cette passeuse de mondes connue pour revisiter les formes géométriques primordiales bouscule l’art de la table en redonnant toute sa force au récipient qui devient comme la monture d’un bijou primitif dont la densité de la matière fond de chaque création en une cosmogonie au fil de laquelle les temps des origines se transmettent et s’entrecroisent.